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・ Giovanni Antonio Antolini
・ Giovanni Antonio Battarra
・ Giovanni Antonio Bellinzoni da Pesaro
・ Giovanni Antonio Bianchi
・ Giovanni Antonio Boltraffio
・ Giovanni Antonio Burrini
・ Giovanni Antonio Caldelli
・ Giovanni Antonio Campani
・ Giovanni Antonio Capello
・ Giovanni Antonio Cucchi
・ Giovanni Antonio da Brescia
・ Giovanni Antonio de Carbonariis
・ Giovanni Antonio Del Balzo Orsini
・ Giovanni Antonio di Amato the younger
・ Giovanni Antonio Dosio
Giovanni Antonio Emanueli
・ Giovanni Antonio Farina
・ Giovanni Antonio Fasolo
・ Giovanni Antonio Fumiani
・ Giovanni Antonio Galignani
・ Giovanni Antonio Galli
・ Giovanni Antonio Giay
・ Giovanni Antonio Grassi
・ Giovanni Antonio Guadagni
・ Giovanni Antonio Guardi
・ Giovanni Antonio Lappoli
・ Giovanni Antonio Laveglia
・ Giovanni Antonio Lelli
・ Giovanni Antonio Licinio the younger
・ Giovanni Antonio Magini


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Giovanni Antonio Emanueli : ウィキペディア英語版
Giovanni Antonio Emanueli
Giovanni Antonio Emanueli (Brescia, 1816 – Milan, 1894) was an Italian painter.
==Biography==
Emanueli enrolled at the Milan Academy of Fine Arts in 1831 and attended Antonio Durelli’s course of figure studies but was enabled to complete his training under the sculptor Abbondio Sangiorgio from 1833 on by a grant from the Brescia City Council. His youthful work shows the influence of the classically inspired models of his master and Rodolfo Vantini, with whom he collaborated repeatedly on important building projects in Brescia. He settled in Milan in 1842 but continued to send works from his repertoire of religious and funerary subjects, portraits and genre compositions to his hometown. He produced some sculptures for Milan Cathedral and the church of San Carlo al Corso in the period 1857–69 and took part in the 4th Esposizione Nazionale di Belle Arti in Turin in 1880. The works of the artist’s mature period show the adoption of a naturalistic approach under the influence of Alessandro Puttinati, Giovanni Strazza and Antonio Tantardini.

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